Riot Act is back to it’s original scheduled programming and this week, Steve and Remfry are reviewing new released by Bring Me The Horizon, Beach Slang, Mono & A.A. Williams and Aiming For Enrike
Remfry is joined by three excellent guests, Serena Cherry (of Svalbard), Jo Quail and A.A. Williams, to discuss Japanese instrumental quartet MONO and the impact they have had over 20 years as a band. The panel discuss the dynamics of MONO’s music and the influence it has had on each member of the panel, which then leads into a broader discussion about instrumental music, showmanship and the difference between practise and performance.
MONO curate a 20th anniversary event in London called ‘Beyond the Past’; three gigs across two days which will feature performances from Svalbard, Jo Quail and A.A. Williams as well as Boris, Envy, Årabrot, Alcest, Nordic Giants, Floating Spectrum and of course, MONO. The shows take place 13th – 14th December at Oval Space, Barbican and Village Underground in London and tickets are available here.
Remfry somehow managed to secure himself another trip to The Netherlands in as many months, so that he could report back to you about festivities at Roadburn 2019. Space cake may or may not have been consumed. Remfry goes into details about the bands he saw including Cave In, Daughters, Mono and the Jo Quail Quintet, A.A. Williams and more.
Back in the room with Steve, the boys review new albums from The Chemical Brothers, Sunn O))) and Memory of Elephants and trade-off this week comes courtesy of Graham Coxon’s Happiness is Magazines and Down I Go’s You’re Lucky God, That I Can Not Reach You.
It’s another week of great music and jovial chat from the Riot Act chaps, who this week discuss one of the most eagerly anticipated debuts of 2019 by political agit-hardcore punks Fever333 and the brand new album from Japanese post-rock stalwarts Mono.
There’s also chat about Idles’ unexpected BRIT Award nomination, and this weeks Trade Off leads to some positive purrings on Fink and his album Perfect Darkness, alongside some frankly utterly bewildering chat on the legend that is Prince and his bonkers 1989 Batman soundtrack, which gets way too sexy/disrespectful to a great man. Depending on your outlook of course.